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Music you can feel.

What’s in a song?

The music we’re drawn to is many-layered, audacious, and pushes singers to the outer edges of their vocal abilities:

Interweaving lines of harmony illustrating


Whether it was written in the 16th century or the 21st, music that weaves together many vocal textures at once, that celebrates the independence of every voice, is what we’re after.

Concentric quarter circles lines of harmony illustrating


Music that inspires people to gather, to collaborate, to make connections across genres and eras, and to celebrate those qualities that make us human is music we want to perform.

Angular lines culminating at a peak illustrating


We understand why Handel’s Messiah is a thing. But it’s not our thing. Music that wanders into uncharted territory, that embraces mystery, that dares listeners to feel and feel deeply—that’s our north star.

Discover more of Ars Nova on Apple Music, SoundCloud, Spotify, and Youtube.


Palestrina’s Double-Chorus Mass

Sample some of our December 2019 program, Northern Lights, which featured the double-chorus Renaissance mass Missa Hodie Christus Natus Est by Italian composer Giovanni Pierluigi da Palestrina:


Gloria in Excelsis

Agnus Dei


Blue True Dream

Explore tracks from our 2006 release, Blue True Dream:


Solo Recordings

A Floweret Bright: Christmas Music of the Renaissance and the 20th Century (1993)
Soundscapes (1995)
A Shadow and a Dream (1997)
Midwinter: Carols in Concert (2000)
All Sky (2000)
I Heard a Voice (2002)
Luminescence (2004)
Rachmaninoff Vespers (2005)
Blue True Dream (2006)
Yuletide (2009)

Find Us On Spotify

Featured On

Circle of Moons (Bill Douglas, 1995)
Deep Peace (Bill Douglas, 1996)
Songs of Earth & Sky (Bill Douglas, 1998)
Earth Prayer (Bill Douglas, 1999)
Eternity’s Sunrise (Bill Douglas, 2000)
A Place Called Morning (Bill Douglas, 2001)
Homeland: A Prayer for Peace (Bill Douglas, 2002)
Sky (Bill Douglas, 2005)
Prayer of Compassion (David Darling, 2010, Grammy Winner)

Very fine... a richly reverberant world of sound.

The Choral Review