Ars Nova Singers featured in Sharps and Flatirons
Peter Alexander, author of the Sharps and Flatirons blog, included Ars Nova Singers’ opening concerts in his recent post. Read more…
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Welcome to the 39th Season, Contrasts
A message from our Artistic Director I spent some time this summer thinking about Contrasts, about how we hold otherness, how we find balance between the parts of our lives that don’t seem to overlap all that much. People say they are searching for ‘balance’ in their lives, recognizing the importance of finding a middle…
Universalizing the Mass
Originally published by Peter Alexander for Sharps & Flatirons. “We wanted to bring the music from one of our finer performances,” Tom Morgan says. The conductor of Boulder’s Ars Nova Singers wanted to offer a free online gift to the disaster-wearied local community at the start of 2022, before the choir starts having in-person rehearsals…
Moonswept: A Musical Journey
We are thrilled to be premiering Moonswept by our own Sam Henderson, tenor, Production Assistant, and member of the Ensemble Singers.
Connecting Hearts – The Joy of Making Music Together
In preparation for Made Fragile, Tom Morgan caught up with our viola soloist, Matt Dane, for a quick chat about his connection with Reena Esmail and what her music means to him personally. TOM I understand that you’ve had quite a connection to this gifted young composer. Can you tell us about how you met her,…
Ars Nova Singers Meets Steampunk
“Science/Fantasy” program in Lafayette, Denver, and Longmont By Peter Alexander It all started at a wedding. The next concert by Boulder’s adventurous Ars Nova Singers and conductor Thomas Morgan is a departure from the usual. Normally devoted to music of the Renaissance and contemporary times, they will perform music from the Victorian era and some…
Music is Feeling, Then, Not Sound
A reflection on the year 2025, from Ars Nova Singers’ Artistic Director Tom Morgan Last February, I was conducting our wonderful singers in the phrase in the title above: a line of poetry by Wallace Stevens, set to music so eloquently by Dominick Argento. We performed Argento’s Peter Quince at the Clavier at two performances…
